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Contemporary Art Gallery Online
Blessed are the weird people: poets, misfits, writers, mystics, painters, troubadours for they teach us to see the world through different eyes. -Jacob Nordby
Y. Hope Osborn built on a lifelong writing talent, earning an MA in Professional and Technical Writing with Creative Nonfiction emphasis in 2020. She is a freelance writer and emerging artist, residing in Little Rock, Arkansas, USA, predominantly exploring black and white photography that impacts like a sonic boom and a unique genre of work that twists photographic and digital mediums into colorful and often whimsical abstracts. She publishes stories about mushrooms and writes about personal traumas. Hope’s writing and photography works are published, exhibited, and awarded, but for her, being a great author and artist is to be entrusted to express reality and imagination that captivates, inspires, or informs while enriching lives by the grace of God.
Today, Hope is a freelance writer and emerging artist, residing in Little Rock, Arkansas, USA—a city becoming a mecca for artists. During the last three years, her creativity is rewarded with two solo spotlight and multiple group exhibits, awards in international competitions, and publications of creative writing and art, sometimes in concert. Hope has made her life experience work for her. She believes if you are truly an artist you have done something all your life to prove it in one medium or another.
She explores predominantly black and white photography and a unique genre of work that twists photographic and digital mediums into colorful and often whimsical abstracts. She publishes stories on mushrooms to educate and entertain and writes about personal traumas to encourage and empathize. She photographs for black and whites to impact you like a sonic boom and creates in color abstracts that are from and of a world you and I make of it.
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How To Return a Purchase? If you are not completely satisfied; you can return your art within seven days. Please save the original packaging when you receive the art. If you choose to return the art, repackage it in its original box and contact us at firstname.lastname@example.org or (844) 210-7722. We will then issue you a prepaid FedEx or UPS shipping label to affix to the box and return. Items must be shipped backed within seven days of receiving the order. 50% of the cost of the return will be deducted from your refund. If you live outside of the United States, please see below for the return procedure. Art that is returned damaged will not be refunded. Photographs and limited edition prints that are returned wrinkled, dented, or smudged due to mishandling will incur a handling fee based on the size of the piece. Outside the United States, How To Return a Purchase? If you are not completely satisfied; you can return your art within seven days. Please save the original packaging when you receive the art. If you choose to return the art, repackage it in its original box and contact us at email@example.com or (844) 210-7722. We will provide you with the return shipping address so that you can ship the artwork with the carrier of your choosing. You are responsible for the cost of return shipping and any customs and brokerage fees charged upon return. Items must be shipped within seven days of receiving the order. Receipt of a Damaged Piece of Art? We package all artwork in custom built art boxes to insure safe delivery, so receiving damaged art is a rare occurrence. If you receive a damaged piece of art, contact us within 24 hours, at firstname.lastname@example.org or (844) 210-7722. Please take a picture as well as save the box and all packaging material; we must have these items in order to process the claim.
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The Art Storefronts Organization has verified that this Art Seller has published information about the archival materials used to create their products in an effort to provide transparency to buyers.
Archival Quality paint must have certain qualities. The first is the paper itself. The paper or canvas must be manufactured using pure alpha cellulose fibre, pure cotton fibre or a combination of the two materials. This will ensure the paper base is pH7 or above or acid free. A paper that contains lignin cannot be acid free as lignin is a naturally occurring acid within plant fibres. It is the lignin content in newsprint paper which causes it to yellow and go brittle over time. Next the paper is coated for preparation of printing. This preparation changes depending on the machine and paper used. The coating is applied to the surface of the paper base to ensure that the ink is absorbed in just the right amount. Once a coating is applied, the pH value (acidity) of the entire paper changes. The only way for this to be addressed is for manufacturers to ensure that the coatings used on their papers are as close to acid neutral as possible and to supply the pH value of the total paper (base and coating) rather than just the base. Then the ink is applied to the Archival paper. In order for a print to be considered An Archival print the inks used are pigment-based instead of dye-based. Finally; to maintain your Archival Print, below is a checklist.: 1. Ensure all the materials used to mount, frame and store finished prints are acid free. 2. Display your own prints out of direct light, in an environment with stable temperature, and humidity levels.
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