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Terry Teague Meyer has been painting for seven years and studied with Stanley Harris and Ginger Cook in the Houston area. Terry’s work placed in both the Tomball Art League and The Woodlands Art League spring judged shows in 2013. Qualifying pieces went on to the Lone Star Art League Convention that same year. Terry received first place in the CAGO February 2014 competition, theme Animals. Terry has had work exhibited at the Barbara Bush Library in Spring and the Avant Garden Gallery in The Woodlands (Houston area) and at Art C’s Gallery in Somerville, Texas. Terry enjoys experimenting with unexpected colors and abstract backgrounds. Terry primarily uses acrylic paint, but will often add textural media.
Terry’s art philosophy took shape when she visited South Africa in 2012. Seeing animals in the wild, Terry felt spiritually close to them. Working from her husband’s photographs, Terry experimented with different animal shapes and pairs, with abstract backgrounds and both natural and fauve colors. Some animals inspire Terry to portray them in a very realistic approach as others inspire more abstraction and experimentation methods. Terry is drawn to all birds, fish and plants also. Terry says that birds come with their own fauve colors. And underwater subjects offer opportunities to play with pouring and texturing media. Terry occasionally paints landscapes and plants, but it is the animal world which has captured her attention as an artist. Terry is most happy when the viewer and she can look in the face of one of her animals and see life looking back.
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How To Return a Purchase? If you are not completely satisfied; you can return your art within seven days. Please save the original packaging when you receive the art. If you choose to return the art, repackage it in its original box and contact us at email@example.com or (844) 210-7722. We will then issue you a prepaid FedEx or UPS shipping label to affix to the box and return. Items must be shipped backed within seven days of receiving the order. 50% of the cost of the return will be deducted from your refund. If you live outside of the United States, please see below for the return procedure. Art that is returned damaged will not be refunded. Photographs and limited edition prints that are returned wrinkled, dented, or smudged due to mishandling will incur a handling fee based on the size of the piece. Outside the United States, How To Return a Purchase? If you are not completely satisfied; you can return your art within seven days. Please save the original packaging when you receive the art. If you choose to return the art, repackage it in its original box and contact us at firstname.lastname@example.org or (844) 210-7722. We will provide you with the return shipping address so that you can ship the artwork with the carrier of your choosing. You are responsible for the cost of return shipping and any customs and brokerage fees charged upon return. Items must be shipped within seven days of receiving the order. Receipt of a Damaged Piece of Art? We package all artwork in custom built art boxes to insure safe delivery, so receiving damaged art is a rare occurrence. If you receive a damaged piece of art, contact us within 24 hours, at email@example.com or (844) 210-7722. Please take a picture as well as save the box and all packaging material; we must have these items in order to process the claim.
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Archival Quality paint must have certain qualities. The first is the paper itself. The paper or canvas must be manufactured using pure alpha cellulose fibre, pure cotton fibre or a combination of the two materials. This will ensure the paper base is pH7 or above or acid free. A paper that contains lignin cannot be acid free as lignin is a naturally occurring acid within plant fibres. It is the lignin content in newsprint paper which causes it to yellow and go brittle over time. Next the paper is coated for preparation of printing. This preparation changes depending on the machine and paper used. The coating is applied to the surface of the paper base to ensure that the ink is absorbed in just the right amount. Once a coating is applied, the pH value (acidity) of the entire paper changes. The only way for this to be addressed is for manufacturers to ensure that the coatings used on their papers are as close to acid neutral as possible and to supply the pH value of the total paper (base and coating) rather than just the base. Then the ink is applied to the Archival paper. In order for a print to be considered An Archival print the inks used are pigment-based instead of dye-based. Finally; to maintain your Archival Print, below is a checklist.: 1. Ensure all the materials used to mount, frame and store finished prints are acid free. 2. Display your own prints out of direct light, in an environment with stable temperature, and humidity levels.
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